Working Conditions

Tobias! on August 30th, 2011

This last week I was part of a Vaudeville show in which I did a series of small bits, as opposed to doing a single, longer, act. A lot of magicians worry about doing little short bits as they fear they don’t have anything that can stand up to being compressed into two or three [...]

Continue reading about The Joys of Small Acts

Tobias! on May 24th, 2011

Magicians are, by their nature, rather reclusive. We tend to practice by ourselves or with small groups of fellow magicians. We usually go out to gigs on our own or, in the case of larger acts, with our partners and crew. Regardless of how many or how few people you have as part of your [...]

Continue reading about Get a Spotter

Tobias! on May 12th, 2011

This past weekend I auditioned for a theme park and one of the major Renaissance Faires in my new home state of Texas. The environment for these two auditions was vastly different, but both brought home some of the things I’ve babbled about here before: Be Very Flexible Make Your Show Modular Making an Auditor [...]

Continue reading about Auditions and Modularity

Tobias! on March 10th, 2011

At the end of the show comes the moment you as a performer have been waiting for – your opportunity to get immediate feedback and a solid, quantifiable response to your show. You get the chance to pass your hat. It is arguably the oldest way to make your money as a performer, and the [...]

Continue reading about The hat line

Tobias! on March 8th, 2011

Sorry to have been away for so long! I’m working on getting things back up to speed with this humble blog. In January, I was fortunate enough to spend a weekend in Seattle with Jeff McBride in a seminar. He reminded me of something which we festival entertainers might keep in mind when it comes [...]

Continue reading about Remembering and Forgetting Audiences

Tobias! on September 19th, 2010

On the other hand, with a pack of cards known as the “invisible Deck” (available at finer magic shops everywhere and, if I’m smart, attached as a link to this here blog post some time soon), you can allow for any amount of random frolicking and come out with a strong, and in fact unexpected “win” result no matter what your lovely volunteer says. … Combining yet more wisdom into the routine, I shamelessly lift Finn Jonn’s handling of the invisible Deck from his “A Day with Finn Jonn” DVD – since this is a handling and not a secret I have no compunction about talking about it here because I think it’ll be useful for any magician doing or handling this particular item: Rather than handling and spreading the “face up” deck out at waist level (something Jeff McBride refers to shamelessly as “playing with your deck”), hold the deck “face up” between yourself and your volunteer (and, of course, the audience).

Continue reading about Stories from the Front – Playing with your (Invisible) Deck

Tobias! on June 7th, 2010

Over the past few years, I’ve been moving different bits in and out of my show – sometimes for logistical reasons (the TSA has an issue with someone bringing six feet of chain on two wooden handles as a carry on), sometimes because I just get restless and want to change things up. With the [...]

Continue reading about On Resurrecting Old Bits

Tobias! on May 27th, 2010

We’re coming up on the Portland Rose Festival (actually, as of this posting it’s started up) and I’m looking over my act for this gig. What will be interesting is that this is a performance for which I shall not be passing the hat. A show where you’re trying to get the most money from [...]

Continue reading about Venue-based Revisions

Tobias! on April 6th, 2010

Every army constantly trains to fight the last war – unattributed Army Maxim After every show, I review what worked and what didn’t. I do the same thing after every event. The trick is to not assume that This Next Show will be like The Last Show, and This Next Event will be like the [...]

Continue reading about The Last War

Tobias! on June 24th, 2009

I’ve talked about the necessity of having a sign if you’re a stage act – it identifies you as, yes, an actual show, and gives your show an air of “legitimacy” (oh look he’s someone who’s performing and not some random weirdo who walked out onto the stage). I’d like to talk about another form [...]

Continue reading about Papering the Faire